At a time while information is overwhelmingly ever-present and yet substantially insufficient, Christina Tenaglia deliberately offers less with her work. Tied to day-to-day surroundings her objects seem familiar, however, they can not be easily placed.

Interested in limiting the information, Christina Tenaglia pairs everything down using a heightened sense of looking. The visual language of her work has shuffled from a somewhat measured geometry into a more slippery array of visual marks.